![]() ![]() Versatile Pianoteq introduces new methods to adjust the piano sound to just the way you like it! Changes that until now could only be made by piano tuners are now possible directly from the interface. as if you could just lean over and touch the strings! Resonance and the position of the hammers. Such as the interaction between strings, the use of pedals, the cabinet Vivid The piano creates the sound in real time while you are playing and takes intoĪccount all the complex factors that makes the piano a truly vivid instrument, The volume can be used for splitting the instruments to different keyboard ranges, and the attack envelope can be used to mix an instrument with a particular attack that you want to emphasize, with another one whose attack has been weakened via the attack envelope parameter. Both can be edited note per note in Pianoteq Standard and PRO. When layering instruments together, there are two parameters you may find of particular interest: volume and attack envelope. playing Bass Marimba in the low range, Xylophone in the upper range and mixing both together in the middle range. The Layering feature allows you to mix several instruments, e.g. In the audio examples below, Dynamic Morphing refers to the fact that the percentage of the various instruments is dynamically modified while playing, whereas it is fixed in the Static Morphing examples. The timbre of the morphed instrument you create is the one of an imaginary acoustic instrument whose physical parameters lie somewhere in between those of the instruments from which you started building the morphing. This new technology handles the morphing at the physical modelling level, providing a stunning acoustic authenticity to instruments that never existed. However these are three of the many instruments you can create with the acoustic Morphing introduced in Pianoteq 7 (Standard and PRO). Instruments VibraDrum, CimbaHarp or GlockenTines for sure do not exist. Up to 48 kHz in PIANOTEQ Stage and Standard. ![]() PIANOTEQ PRO offers an internal sample rate of up to 192 kHz. Presets built with PIANOTEQ PRO can be loaded in PIANOTEQ Standard without limitation. In PIANOTEQ Stage, preset loading is limited to parameters that are present in the interface. You can purchase additional instrument packs at any time. ![]() These instrument packs are fully working whereas remaining instrument packs are available in demo mode for your evaluation. During registration, you can choose two instrument packs with the Stage version, three with the Standard version and four with the PRO version. Note-per-note edit: all other physical parametersĬoncerns new purchases from 2019 onward. So in order to use my libraries you need Kontakt FULL retail version 3,4 or the new 5 or future versions.Note-per-note edit: volume, detune, attack envelope So, to summarise -you can open it, and run in demo mode, but you can't get rid of demo mode. The problem is that there is no way to authorise a non-kontakt player library - it will always time out. After that, you have to re-start and reload the library. ![]() However, the fact is that Kontakt Player and Kontakt are the same software - only the license key is different. The result of this confusing situation is that in Kontakt Player you can open a normal Kontakt format library ( like the free content that is available) but it will run normally for 15 mins or less before the demo period times out. This means their own libraries and 3rd party libraries that have paid a license fee to have their library produced in kontakt player format. Kontakt player IS intended solely for libraries encoded by Native Instruments. What’s the differences between Kontakt Full retail version and Kontakt Player? Because you are using Kontakt FREE Player and not Kontakt Full Retail Version.ĪLL my libraries are compatible ONLY with Kontakt and not Kontakt FREE Player. ![]()
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